Fly me to the UK for a literary adventure I’ve always dreamt of

Quoting famous speech from Martin Luther King Jr, ‘I Have a Dream’, well, I have a dream, too, which is to launch what I call as a literary adventure to say hello, take inspiration for writing then say thank you for these literary genius whose works not only entertain my soul but their imaginations and voices have helped me finding my own place in this hectic cum wonderful modern life.
Thomas Hardy
I have been longing for paying a visit to the places that play significant roles in the works of Thomas Hardy, one of my most-beloved authors. If you have bumped to this messy blog then you realize how much I admire his works as his name becomes the most-tagged word in this place, hehe..
If you ask me why do I love Hardy so much, one of my answers is because he knows how to appreciate nature then put them into beautiful words. Reading his novels soothe my heart because his words are indeed pieces of arts, beautifully-crafted.
I would really love to go to the house he was born in a house in Stinsford, a village and civil parish in southwest Dorset, one mile east of Dorchester. Stinsford is the original ‘Mellstock’ in his ‘Under the Greenwood Tree’ and ‘Jude the Obscure’. I haven’t read ‘Under the Greenwood Tree’ but I have enjoyed ‘Jude’.
The first site I wish I can visit is Hardy’s cottage as you can see from the below picture. This is where the poet was born in 1840 then writing ‘Far from the Madding Crowd’ in 1872 and ‘Under the Greenwood Tree’ in 1874. I can fancy how peaceful it was when he was working by looking at the cottage and its surroundings. No wonder he was able to produce very fascinating words as its neighborhood was providing him a lot of inspirations to write. Hardy was staying in the cottage until he was 34 years old.

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He once moved to London but never felt at home in the big city. As such, he built a house namely Max Gate, which is just a few miles from the cottage where he was living before. He and his first and second wife inhabited the house, which I think is quite large and exquisite, from 1885 until his death in 1928. This is the house where he was creating his best fictions; ‘Tess of the d’Urbervilles’, ‘Jude the Obscure’ and ‘The Mayor of Casterbridge’ as well as most of his poems. While general fans mostly applaud ‘Tess’, ‘Far’ or ‘Jude’, my most favorite fiction is yes, ‘The Mayor of Casterbridge’. I really really admire the book. Anyway, this is Max Gate.

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George Eliot
Mary Anne Evans or mostly popular as George Eliot (12 November 1819 to 22 December 1880) is my second most-adored Victorian novelist. Until now, I don’t know how Eliot produces such an extensive, rich in terms of issues, imaginations and characterizations as in Middlemarch. By the way, my personal favorite is ‘The Mill on the Floss’ as it becomes my first ‘real’ experience reading her works. I read ‘Silas Marner’ back when I was a university student but I don’t consider it as a ‘concrete’ experience because the book that I was savoring was its simplified version. I don’t want to read the unabridged version of ‘Silas Marner’ though because the story is really sad.
So this is Arbury Hall estate. In its South Farm, the very smart baby girl namely Mary Anne Evans was born in 12 November 1819. The estate was belonging to the Newdigate family where which her father was working as a land manager there.

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In early 1820, the author family moved to Griff House where Mary Anne was living for 20 years. After that, she was travelling and moving to some places. Here is the Griff House:

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Elizabeth Gaskell
For any Victorian enthusiasts, you should try Gaskell’s books, which move very soft and smooth. ‘Mary Barton’ is my favorite book from her. No wonder she is able to produce elegantly-made words. Gaskell is described as a lady-like person, tidy, well-mannered one. Oh, I can totally associate with her writings, in terms of word choice and placement, characters (esp in ‘Wives and Daughters’) and issue selections. If I have a chance, it will be delightful to stop by in this house, where the author and her family were living for some years. Let me put the address here: 84 Plymouth Grove, Manchester. Oh I love the building. What a lovely sight!images (3).jpeg

The Bronte sisters
Of course, the Bronte Parsonage Museum must be in the list! This is the house where the Bronte family was staying which is in Haworth, West Yorkshire. Looking at the building, I think the family is quite wealthy. My favorite Bronte is Anne because her traits much like mine, hehe. Who is your beloved Bronte, my friend?

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Charles Dickens
So far, I have read ‘The Old Curiosity Shop’. I honestly say I’m not really into his works which is a matter of writing style reason. But if I were in UK, this Charles Dickens museum as you can see below is a temptation I can’t resist, hehe.. The address is on 48 Doughty street, Holborn, London. It became the home for the author from 25 March 1837 until December 1839. Though it was relatively short, the house saw him producing best fictions, ‘The Pickwick Paper’ in 1836, ‘Oliver Twist’ in 1838, ‘Nicholas Nickleby’ between 1838 and 1839 and Barnaby Rudge in 1840 and 1841. How prolific Dickens was!

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Jane Austen
And here is the queen of all romantic women out there, I included, is the one and only Jane Austen. The picture shows Jane Austen house museum in the village of Chawton, near Alton in Hampshire. She and her family were occupying the house for the last eight years of her life. It is assumed she was revising the drafts of ‘Sense and Sensibility’, ‘Pride and Prejudice’ and ‘Northanger Abbey’ here. Austen also wrote ‘Mansfield Park’, ‘Emma’ (I love Emma!) and ‘Persuasion’ here.
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Wilkie Collins
And the last author who recently spurs my adrenaline is Wilkie Collins. He is chubby anyway by looking at his picture. Collins and his wife, Caroline Graves, were occupying Harley Street 12, Marylebone, in the central of London, from 1860 to 1864. I’m not really sure whether he owned the entire building or just rented some rooms of it. Collins is said to have written most parts of one of his best mysterious novels, ‘The Woman in White’, here. I currently look for reading the title after I am so immersed with ‘The Moonstone’. images (5)
So, those are a number of sites that completely attract my desires to go there. I think my bucket-list is already full even before I have enough money to make it, hehe.. Well, never mind. Hopefully the bucket will be filled. Till then, let’s dream again!
Thank you very much for Wikipedia, Wikimedia and Wilkie-Collins.info for providing all the lovely shots.

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‘The Moonstone’ Madness: Homecoming as way to solve problems

I love the ways the story begins and ends in the same place. The Moonstone is firstly seen in a shrine surrounded by Hindoos and as the novel ends, it comes back to where it belongs.
Interestingly, Mr. Franklin Blake returns to his aunt’s residence to investigate on the missing gem on his own given his intention to clear up all the mess between him and Rachel Verrinder. To the Yorkshire the indebted man goes back, almost one year after the incident occurs. One year being in the East doesn’t help him taking the mystery out of his head.
With the help of Ezra Jennings, he is able to restore his good name, especially in front of Rachel. He is capable of explaining what exactly happens after Rachel’s birthday dinner. I’m sorry to put a lot of spoilers here for writing this part is inevitable. It is true that Mr. Franklin Blake is the one who steals the diamond with the knowing of Rachel.

That explains her attitude to the man whom she really loves is 180 degrees in contrary to what she used to do to him.
But Mr. Franklin Blake does that unconsciously. He falls under the influence of laudanum, a mixture of opium and alcohol, put by Mr. Candy, a doctor who is upset with Mr. Franklin Blake’s harsh words toward his profession as a doctor. So the mess starts from Mr. Franklin Blake’s jokes to Mr. Candy that later turns to his laudanum consumption. Since he is overwhelmed with the Moonstone, Mr. Franklin Blake goes to the Rachel’s room then takes it in order to put it in a safe place.
Readers will find this out as the novel progresses toward its finale. One by one all riddles are put to the surface but first of all readers must dwell so long upon clues, opinions, ideas that come up throughout the book. Thanks to Wilkie Collins’ sophisticated writing technique, the story moves fast that barely leaves readers get bored.
In an attempt to reveal all riddles, such as the smear of the nightgown hidden by Rosanna Spearman, Mr. Franklin Blake has to come back to where the late hides the box carrying the gown. Also, Mr. Franklin Blake has to meet Rachel and Sergeant Cuff to gather their statements. Plus, the gentleman has to invite Mr. Candy who falls so ill because of the fever and fatigue he suffers after the birthday event.
It is quite surprising that Ezra Jennings, much like Rosanna Spearman, emerges when the book starts getting complicated. The figure that I think will play a minor role turns out to the savior for Mr. Franklin Blake and Rachel. This is because Ezra Jennings initiates to put laudanum into the body of Mr. Franklin Blake, orders things as the way they were one year ago, invites Mr. Bruff as a witness then starts the experiment.
From his crazy idea it turns out that Mr. Franklin Blake does what he exactly does when the gemstone goes missing. While the characters are busy solving the riddles, the Moonstone for about one year is on the bank in London under the hands of Mr. Septimus Luker. During that time three Hindoos hunt it down. They are finally able to get it back then they give it to the caretaker of the gemstone in the shrine of a sacred city called Kattiawar in India.
I am myself so drown with the idea of starting things from the very beginning to solve problems in Mr. Franklin Blake’s life and the people concerning the Moonstone. Taking this story into my personal opinions, the idea of tracing things from the very roots are very challenging yet so worthy of trying to do in one’s life. Doing this requires bravery as Mr. Franklin Blake does. Sometimes, doing this will be fruitful or will not be.
While getting back to where the problems come may face us with painful memories, failures and nostalgia, our hearts are purified along the processes. All scars, heartbreaks will somehow be cleaned up while we battle to find solutions or answers. Much like walking on two sides of completely different views; one is full of tears or mess, the other one starts providing us with crystal clear outcomes. This is one of the wars one so worthy of trying.
And Mr. Franklin Blake succeeds in doing that. Not only the mess concerning the Moonstone is over, he and Rachel eventually gets married. I love Collins’ idea of bringing things back to start something new and fresh, as what happens to Mr. Franklin Blake. We can associate his experiences with our lives in whatever problems or trauma we encounter.

 

The Moonstone Madness: Collins’ sophisticated way of storytelling

Something new happens as I turn every leaf of The Moonstone. For 430 pages+ my mind has to be in a full concentration reading the book because the mystery surrounding the missing jewel presents me with new twists, evidences, opinions and ideas from characters in the book I mustn’t miss unless I don’t savor the core joy of the masterpiece.
I find it so fascinating that the book runs fast given how it presents readers with riddles, surprises, theories and assumptions along the way concerning who takes the jewel and where the hell it is. Wilkie Collins is indeed a rare Victorian novelist who does what he accomplishes in The Moonstone.
Though the story is all about the missing diamond, you mustn’t guess the plot is simple. In fact, it tells readers more complicated ideas representing Collins’ perspectives. What I once think as mere personal obsession concerning the diamond and history cum superstitions about the precious gem is a first layer on the surface. Because beneath it there lay problems about family conflicts, debts, inheritance issues, stories on estranged people, love and money, reputation, health, drugs and personal disguises. So many themes, right?
And Collins wraps them all so smoothly in the book so you can understand how the book runs so quick to speak them all to readers. I will divide my reviews and opinions and things that bother my mind after reading in several posts. The book is very interesting to be talked about and this is my first post that makes me wonder on how Collins weaves his story.
First and foremost, this is my first experience reading a book from several points of view. I think the story will be from Gabriel Betteredge only as the first person who knows from the start of the pricey gem from Colonel John Herncastle until it eventually be found.

The truth is, Gabriel voices about one third of the overall tale. He tells the readers the past story of the Moonstone until it arrives at the hand of Mr. Franklin Blake, how it goes missing on the night after the 18th birthday of Miss Rachel Verrinder then some attempts to find it by the brilliant Sergeant Cuff.
Just when I think I believe it is Rachel Verrinder is the one who steals it as believed by the Sergeant, the novel completely shatters my opinion. At that time, the novel is only 100 pages long so that means so many things left mysterious as it goes on. This what makes this book starts ‘deceiving’ my mind and triggers my curiosity even more.
As the book enters the one third part, there comes narrative from Miss Clark, one of the relatives of Miss Rachel. Again, Collins deceives me. What I once think Miss Clark as someone so modest, honest and highly spiritual but as her narration moves forward I find myself so irritated by her personality. I will later discuss about her in another post.
Then, another narration comes from Mr. Franklin Blake itself which really shocks me as the reader of the book as much as it rattles the gentleman’s logic. His narrative becomes the most important one throughout the tale as many proofs are eventually revealed to make things even stranger than they already are.
The following of the story are contributed by Ezra Jennings, the assistant of Mr. Candy, a doctor living nearby the residence of the Verrinder family. It is from the assistant that the riddles are slowly answered. From then, one big question on who takes the diamond is discovered. But there remains another big one, who the hell is it now?
To answer this, the narration comes back to Mr. Franklin Blake. Not only the readers will find the whereabouts of the Moonstone but also they will be shocked finding who the real antagonist in the story is.
As all are settled, the narration returns to Gabriel Betteredge who bids farewell to all who enjoy the story. The last part of the book is told by Mr. Murthwaite in a letter to Mr. Bruff, the Verrinder’s family lawyer, as what finally happens with the most-wanted jewel in the masterpiece.
So you can feel how complicated Collins’ way of telling by looking at a number of different people who narrate the story. Different story tellers mean readers are invited to look into their minds and feelings, which, of course, are various. This makes me really admire Collins’ writing technique. It isn’t easy to write from so many angles. His chosen method makes the story even more difficult to lose track of amid reading it.

 

 

 

Basic guidance before reading the works of these literary giants (2)

The second part of this long post highlights my short analysis about the novels by the Bronte sisters and Charles Dickens.
Anne Bronte
If you want to read novels by the Bronte sisters, you can begin with those by Anne Bronte. Luckily, I do start with her books. Reading her books make me feel like I get into her personal lives. Plus, she uses first-person narrations in ‘Tenant of the Wildfell Hall’ and ‘Agnes Grey’. As such, her tales can move you so deeply.
Anne voices feminism, too, like Charlotte Bronte, her elder sister. The difficult life of being a governess becomes her source topic. The harsh life of being a single mother who flees from her own husband because of domestic violence I think at that time is revolutionary, particularly the latter one. Anne tries to break all religious rules through Helen Huntingdon.

Alcoholic husband, infidelity issues mark Anne’s writing achievements. Don’t worry, my friends. Anne’s stories end in happy tones!
Charlotte Bronte
Jane Eyre is a very powerful heroine. She is blunt, stubborn, strong and idealistic woman you can ever imagine. Her faith and how she holds her religious values indeed cause her to face difficult situations. I still imagine the moments she starves that she wants to sell her handkerchief but is denied by a potential buyer. Then she eats porridge that is already thrown by former eater to keep her alive.
Reading the book moves me so much. Not only because of Jane’s firmness holding her values, but also the way Charlotte puts her heroine in difficult tests ever since she is a little girl. I am also amazed how the book doesn’t bore me as it is very thick one. Charlotte’s storytelling brings so much joy despite the tribulations Jane has to bear.
Emily Bronte
First of all, I dislike Catherine Earnshaw given her indecisive attitude. Her unwillingness to take risks to fight for her love. Also to be honest, I can’t say what Heathcliff does is correct. Their love story stirs mixed feeling for me. I call it as a deep, wild and destructive romance you can ever imagine knowing.
I have never read this romance-based fantasy as that frustrating, depressing, furious yet very strong at the same time. And Emily’s writing style is beyond my thought. Beware of physical and emotional tortures in the book for if you really feel them so profoundly, you will be haunted by the sensations they leave in your heart.
Charles Dickens
I think Charles Dickens is the most serious and social novelists in the Victorian era. While others take limited range of topics, such as women lives or people’ attitude at that time, Dickens write many books on child labor, the Industry Revolution, crime, legal affairs and many more.
I find it interesting that reading books by Dickens give me another shade of the Britons’ lives in London, a big city that is rarely touched by previous writers since their settings are mostly in rural areas or villages.
So, Dickens adds knowledge to what really happens in the big city when the machine starts taking over the lives of the people and how it leaves many problems. There haven’t been any writers who are very sophisticated in portraying individuals’ conflicts as he is. As such, reading his works challenge me a lot in understanding little things between characters and how their relations develop into something bigger in the end of the story.
Those are my opinions that hopefully can guide you a little bit before diving into that thick pages, hehe.. I hope this helps you, my fellow readers!

Three universal values that make ‘Middlemarch’ enduring work

I am so glad that I don’t throw ‘Middlemarch’ away during eight years I immerse myself in other titles. I suddenly want to read the masterpiece after I stumble upon an article about minimalism. The article cites the book so I take it again after two failed attempts and I enjoy reading it very much.
It takes almost two months to complete reading it. The period which I think is kind of short given the almost 700 pages it runs. Throughout the reading process, as I write in previous posts, I can’t help being bedazzled by George Eliot’s story technique, her brilliant ways of giving a life to each of its character, describing the places and emotions, and finally guiding readers to gain so many lessons for the sake of their own interests. The book is full of many life lessons. What makes it sticks into the hearts of so many people is that it doesn’t preach, it doesn’t instruct to do or don’t do specific things.
In fact, Eliot portrays memorable characters that you may find yourself part of their overall traits. If you are a social person, you can be like Dorothea or Caleb Garth. If you find yourself love learning you can look at Edward Casaubon. If you are very easy going person, then may be Will Ladislaw suits you best.
Each and every character in the book carries problems. Eliot mentions their ways of handling the problems according to their given traits and perspectives in such beautiful ways. Hence, readers can embrace many knowledge and even put their feet in the characters’ shoes. With the strong characters in the book herewith I share with you my friends, three values about life that make the book remains so profound. And for me, I can learn a lot and apply them in my personal life:
1. You don’t have to save the world to consider yourself a worthy human being.
It’s completely fine if you have certain mission in your life, be it being a humanitarian worker, beneficial technology inventor, international public speaker/motivator etc. Modern world seems require us to attain specific things or goals in life then show them to the world. For instance, certificates to prove something or meeting important people in your chosen fields. Then you will expect ‘likes’, ‘loves’ and bunch of comments to affirm that you are a ‘successful’ human being. It’s good if you can be one of the people but what if you aren’t?
If you find yourself questioning this sort of thing then Dorothea and Tertius are very good examples you can look at. Both are very kind, idealistic people, who want to contribute a lot of things to the society. Dorothea’s preliminary goal is providing homes for poor people at cheap cost while Tertius’s wish is taking care sick people while enhancing his medical skills in a hospital. As such, he works with Mr. Bulstrode whom he actually dislikes.
But life doesn’t go according to their plans. Their responses are what make the two living happy or unhappy one.
2. It takes years to build a good reputation and only seconds to destroy it

The case of Mr. Buldstrode serves special thing to review. Though he is considered by some, including by his relative, as a cold, wicked person, I am still surprised learning about his past via Raffles. That is why public scorns at him when they know when he gets his wealth and what he does with Raffles in his last days even though he doesn’t kill him.

But rumors and gossips are very deadly. They don’t care anymore about the money the banker puts for the public cause because they immediately consider his deed serves like ‘a money laundry’ for the bad things he does in the past.

What makes me hating the public is their perception about Tertius. They believe the money he gets from Mr. Buldstrode acts as a kind of compensation for helping him killing Raffles without actually having convincing evidence.

At this point, Tertius’s reputation is at stake. Will his care for the unfortunate sick people be helping him out of the mess? Who will actually believe he is innocent?

3. Love can be redefined

The love life of Dorothea is interesting to be talked about. It isn’t about her marrying twice but it’s how she acknowledges her feeling for each of the man whom she marries with.

When Dorothea falls in love with Edward, she is a highly idealistic woman. As much as she admires Edward, a smart, sharp man with good reputation, I think her decision to be united with Edward in a matrimony is partly to her dream of making herself useful.

At this point, she wants to be a useful wife. Their marriage is often marked with reading together, working at the library, trying to submit herself to the study of her husband.

Of course, there’s nothing wrong with that. Because I think marriage aims at making each couple becoming more excellent in their respective fields. But the problem is Dorothea and Edward’s good intention is not enough to save their marriage. Or to be precise, their motive to be as one isn’t that strong. Marrying each other for the sake of helping one another isn’t adequate.

As such, Dorothea says she doesn’t fully submit herself to Edward because her definition of love hasn’t been solid. Sometimes it doesn’t any explanations why you love someone, you just feel it, you just know something unexplainable is brewing inside your heart. It’s you yourself who can feel it.

Such is the feeling Dorothea has with Will, and the former feels the same way, too. She can now whole-heartedly love Will and the other way around. Through pain and death she previously suffers, Dorothea can renew her definition of love, which is indescribable after all.

 

When we can never get it enough: a study case of Dr. Tertius Lydgate

Dr.  Tertius Lydgate is a tragic hero I wish every one of us can learn so much from. Among all characters in ‘Middlemarch’ this is the one I am very interested to talk about though my personal resemblance is with Edward Casaubon and I highly put Dorothea Ladislaw as a strong model for women.
I share a few things in common with Dr. Tertius Lydgate. Thank God, I am not like him anymore. I used to have the similar mindset as he does but thankfully I become much more relaxed as life experiences force me to.
For those who haven’t read the novel I am sorry that I am going to drop a lot of spoilers here as I don’t know yet how to create good posts without touching some parts of the book.
On top of the doctor’s mind is a mission not only to become an exceptional one but also be beneficial for those around him. As such, he sets on a journey to Middlemarch then supports Mr. Bulstrode in exchange of a new hospital in the place. There is nothing wrong with the doctor. He is a very kind person though some people, including his own wife, Rosamund, kind of hates him because Tertius is someone who doesn’t like asking for helps even when things get tough. He holds his pride so high that asking for money when he is deep in debt taints his honor. He eventually asks for money from Mr. Bulstrode after his wife can’t resist anymore with the tension and he doesn’t want to make her much more miserable than she already is.
The thing is Tertius is the type of person who doesn’t like putting any masks in his face, the same that he applies in regard to others. If he doesn’t like someone then he says or at least he takes a distance away from him or her. This honesty, according to his wife, is one factor that troubles him when he is actually in a dire need.
In my opinion, Tertius is much an idealist than Edward Casaubon. While Edward’s perfectionism is mixed up with his jealousy to Will Ladislaw and stubbornness to admit his real feeling, Tertius has no problems about that.
Yet Tertius’ perfectionism puts him in a very constant point where he barely sees other things that actually see him excel. His idealism of wanting making himself as a touch bearer in Middlemarch through the hospital he oversees becomes like a way of life that he doesn’t see any other means by which he will call himself “a successful person”.
When Rosy complains that Tertius should be paid for what he does in setting up the hospital, the learned man should have considered her opinion. But his idealism already places him in unbalanced position where his idealism is above realism or what reality throws at him, which is the amount of debt he has to pay.
He should not put a blind eye to the fact that he can’t always spend his life prioritizing helping sick people who can’t pay him. He shouldn’t forget that he needs money to make ends meet.
Tertius eventually realizes this and follows his wife’s advice. They depart for London after the debt is fully paid with the help of Dorothea. He finally puts the happiness of Rosy on top of all then works for money. In the new city, Tertius is a commercially successful doctor. His practice is excellent.
But at the end of his life, Tertius still regards him as a failure because he doesn’t fulfill what he is meant to do which is curing poor people in the Middlemarch’s hospital. Isn’t his life a very tragic one? Despite his good deeds to others, his ability to make his family happy, Tertius dies unsatisfied.

This is the deep hole George Eliot leaves my heart with. And I wish my friends and a lot of people will read then know this character because his life relates much to what we, as modern people face, some will realize, but some will not.
Thankfully, again and again, I know what goes wrong in his life and I believe many of us are familiar with the story.
It is ingratitude.
Tertius is ungrateful that he helps so many people in Middlemarch, particularly the ones who are unable to pay him. Tertius is unthankful that Rosy is finally happy they can live a good, financially-sufficient life in London.
Tertius’s mind gets so absorbed in his own thought that he only has one sort of success that is embedded in his mind even before he marries Rosy. But life changes. Problems occur which may change people’ life purposes. Tertius can deal with his marital problems but unfortunately he can’t do so with his self-aim. The ways he handles his matters go in line with his circumstances but his idealism isn’t. He slowly changes his behavior and this helps him so much going out of the problems but his dream is not. What he fails to realize is that the only constant thing in life is change, including changes in one’s life goals. If he could accept the fact that he is still unable to fulfill his mission no matter how hard he tries then his life will be joyful.
What makes his fate so miserable is that Tertius is unthankful for himself.
And I think that is the worst kind of unfavorable behavior to oneself.

This mind wrestling after bidding farewell to ”Middlemarch”

I complete reading “Middlemarch” a few days ago, much faster than my expectation. Overall I take about two months reading the masterpiece’s 688 pages. It isn’t the thickest novel I have read so far. ‘’Wives and Daughters” runs more than 800 pages. But ‘’Middlemarch” is way more difficult to read. It takes a lot of efforts than the other title which is written by Elizabeth Gaskell. A lot more characters, more serious issues, much more detailed descriptions about the people and the places in ‘’Middlemarch” are some of the things that make Eliot’s way above ‘Wives and Daughter’. Anyway, I am not going to compare the books in the post, well ever, because each of them gives different nourishment to me, or readers in general.

It has been two days since I close the last page of “Middlemarch”. Call me sentimental but I feel like I have lost my best friend in the past two months, especially when I commute. The fact is I read almost all of its content in a train and public transport vehicle. I carry it when I go to the office. I intentionally use it to shield me away from my smartphone. The book is so thick that I find it hard to put it into my brown bag. So I bring it on hand.

Something breaks my heart when the book is coming to an end. A small crack that still lasts until now. The novel leaves mixed feelings. I am contented that Eliot provides clear and fair fate to each of the book’s major and semi major characters, particularly about Dorothea and Will Ladislaw. I feel so, so sorry with the life of Dr. Tertius Lydgate (will talk about this topic later on in a separate post). Even when I write this I don’t know exactly how to properly express my feeling about the book.

The novel is so remarkable, a wholeness that gets me thinking “how she does this?”

I can’t imagine her writing process hence she can put her imagination into this sort of complete tale. She creates vivid places as the settings of the book. Each and every character is described in detailed ways that they look as if they were real. Eliot also mentions political and social backgrounds that happen in larger scale, not only in Middlemarch. Small gossips, scenes in gambling house are alive, too. Eliot pays a lot of attention to even what look like trivial things.

Every time I get bored when it comes to minor figures which I am hardly able to memorize, the plot quickly shifts to major people whom I follow closely. So the boredom immediately goes away.

Eliot puts quite a lot of wise sentences, which miraculously don’t bother me, as a reader who doesn’t like books that sound preachy. And the most praised aspect of the book is character development. Eliot invites readers to get knowing very humane characters that for myself, will stick at my heart for very long time.

Whenever I look for a female character who is generous, overwhelmed with her wealth, I quickly come to the name of Dorothea. Her interest of helping others is so great that she makes it as one of the factors that makes her accepting the marriage proposal from Edward Ladislaw. She wants to make her life useful to her husband. The reason that later on proves inadequate to make her marriage life a happy one.

When I think about a figure who is too social that he becomes poor, I put Caleb Garth as the perfect example.

Rosamund Vincy, later Rosamund Lydgate, is the typical model for a beautiful woman who cares much about image, social pride, levelling.. as in ‘he is on par with my level’ sort of thing.

I can’t believe there is a man namely Fred Vincy who, despite his gorgeous looking that becomes his mother’s pride, is such a useless man. The kind of person who doesn’t know what to do in life.  An undecisive person, a dumb one. It is so sweet that he has Mary Garth by his side. She is not pretty but her intelligence and vision of life rescues him. Fred and Mary are such a perfect blend where Fred’s physical beauty meets with Mary’s intelligence and cleverness. Thank God, their strong love unites the two. Thank God.

And personally, the character that suits me most is Edward Casaubon. I write about much about him in previous two posts, much earlier than Dorothea and Tertius. I haven’t written about the two leading characters in details (will later work on them).

I can’t think how Eliot makes this book, her creative process. How many books she read so that she can come up with fragments from a lot of poems, proses not only in English Language but also in French Language. How many hours per day she dedicates her time making this story. Does each and every character that she puts into the book goes through thorough research?

Those are some questions that emerge when I read the book then after I conclude it. Too many questions, curiosities that I wish I could get her answers as the book is done reading. The last one is I would like to know how she can make this balanced overall story that makes it so round that finishing reading the novel leaves me a void I don’t know how to fill it up. The book is so exceptional that I find it hard to part with no matter how relieved I am that it ends fairly.